1%er (ワンパーセンター)、それはその道を極めることができた1%の選ばれし存在。かつて一世を風靡した孤高のアクション俳優・匠馬敏郎は、実践的なリアルなアクションを突き詰めるがゆえに、映画業界から居場所がなくなり冴えない日々を過ごしていた。ある日、弟子のアキラと共に自らアクション映画を撮影すると決め、廃墟となった無人島を訪れるのだが、島には傭兵集団達が狙うある秘密が隠されていた…。閉ざされた島の中で事件に巻き込まれていく敏朗は、ジークンドーを極めた最強の武術家・黄島に命を狙われる。最新の戦闘術を身につけた“殺せない”アクション俳優が、極限状態の中で眠っていた自身の力に目覚めるとき、選ばれし男たちの闘いが始まる。

1%er (ワンパーセンター)、それはその道を極めることができた1%の選ばれし存在。かつて一世を風靡した孤高のアクション俳優・匠馬敏郎は、実践的なリアルなアクションを突き詰めるがゆえに、映画業界から居場所がなくなり冴えない日々を過ごしていた。ある日、弟子のアキラと共に自らアクション映画を撮影すると決め、廃墟となった無人島を訪れるのだが、島には傭兵集団達が狙うある秘密が隠されていた…。閉ざされた島の中で事件に巻き込まれていく敏朗は、ジークンドーを極めた最強の武術家・黄島に命を狙われる。最新の戦闘術を身につけた“殺せない”アクション俳優が、極限状態の中で眠っていた自身の力に目覚めるとき、選ばれし男たちの闘いが始まる。

Katya Livingston, a self-centered, obnoxious and conceited 28-year-old ad sales exec, won't let anything or anyone stand in her way in getting to the top of the San Francisco social ladder. When tax inspectors question her claims Katya is forced to keep a financial diary and finds time to add details about her friends, enemies and lovers all from her unique point of view.

Katya Livingston, a self-centered, obnoxious and conceited 28-year-old ad sales exec, won't let anything or anyone stand in her way in getting to the top of the San Francisco social ladder. When tax inspectors question her claims Katya is forced to keep a financial diary and finds time to add details about her friends, enemies and lovers all from her unique point of view.

On Aug. 21, 2015, the world watches in stunned silence as the media reports a thwarted terrorist attack on a train that's bound for Paris -- an attempt prevented by three young Americans traveling together through Europe. The heroic and courageous actions of Anthony Sadler, Alek Skarlatos and Spencer Stone help to save the lives of more than 500 passengers on board.

The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman.The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants.The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.